Developing ASP Components

2014 年 3 月 30 日4790

Our look is the result of reader comments, our own experimentation, and feedback from distribution channels. Distinctive covers complement our distinctive approach to technical topics, breathing personality and life into potentially dry subjects. The animal on the cover of Developing ASP Components is an asp, which is a term applied to various venomous snakes, including the depicted asp viper (Vipera aspis) of Europe as well as the Egyptian cobra (Naja haje), thought to have been the means of Cleopatra's suicide.

Needing to eat at least 50-60 percent of their body weight in food per week, European asp vipers hunt by lying in wait for approaching prey. After grabbing and biting a small rodent or other prey, they release it and wait several minutes for it to stop moving; the generally sluggish viper rarely chases prey. Vipers know their home territory very well, which allows quick escape from their asp-kicking natural enemies, serpent eagles and hedgehogs. This trick hasn't helped them escape from their greatest threat, the expansion of human civilization, which frequently wipes out large sections of their territory.

The chemical composition of asp viper venom can vary from one population to the next, hampering initial antivenin development until 1896, but few viper bite fatalities occur in Europe today. Ellie Fountain Maden was the production editor and copyeditor forDeveloping ASP Components; Sheryl Avruch was the production manager; Mary Anne Weeks Mayo, Maureen Dempsey, and Jeffrey Liggett provided quality control. Abby Myers and Sarah Jane Shangraw proofread the book. Robert Romano created the illustrations using Adobe Photoshop 4 and Macromedia FreeHand 7. Mike Sierra provided FrameMaker technical support. Lynn Hutchinski wrote the index.

Hanna Dyer designed the cover of this book, based on a series design by Edie Freedman. The image is a 19th-century engraving from the Dover Pictorial Archive. The cover layout was produced by Kathleen Wilson using QuarkXPress 3.3 and the ITC Garamond font. Whenever possible, our books use RepKover, a durable and flexible lay-flat binding. If the page count exceeds RepKover's limit, perfect binding is used.

The inside layout was designed by Nancy Priest and implemented in FrameMaker 5.5 by Mike Sierra. The text and heading fonts are ITC Garamond Light and Garamond Book. This colophon was written by Nancy Kotary.

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